His work in ceramics gravitates towards the concept of ‘Memory', this is, the compound of elements that makes us who we are, individually and collectively. The most important conceptual aspects of his work are: Memory, Foreignness, Otherness, Cultural Assimilation and Social Fabric. With this he implies the fact that art is in our hands, as much as in our mind, which is why these pieces are meant to be ingrained in everyday life and handled often.